CCM presents Cendrillon fairy tale opera Nov. 13-15
Event: November 13, 2025 1:12 PM
UC College-Conservatory of Music's 2025-26 theatre season continues with Cendrillon, playing Nov. 13-15, 2025 in Patricia Corbett Theater.
CCMOnStage Presents
7:30 p.m. Friday, March 11, 2022
Corbett Auditorium
Mark Gibson, music director
Joe Miller, conductor
Featuring student artists Xiao Geng and Hannah Schendel, conductors
Featuring faculty artist Gwendolyn Coleman, soprano
The Philharmonia welcomes CCM Director of Choral Studies Joe Miller to the podium with a program honoring women through the healing power of the human voice. CCM dedicates this program to supporting the mission of Lydia's House, which provides safe, stable and supportive housing for women and children in crisis.
Hannah Schendel, conductor on mvts. I and II
Xiao Geng, conductor on mvts. III and IV
Musical settings of six poems by Mirabai Rathor. English translation by Robert Bly.
My friend, I went to the market and bought the Dark One.
You claim by night, I claim by day.
Actually, I was beating a drum all the time I was burying him.
You say I gave too much, I say too little.
Actually, I put him on a scale before I bought him.
What I paid was my social body, my town body,
my family body, and all my inherited jewels.
Mirabai says: The Dark One is my husband now.
Be with me when I lie down; you promised me
this in an earlier life.
Something has reached out and taken in the beams of my eyes.
There is a longing, it is for his body, for every hair of that dark body.
All I was doing was being, and the Dancing Energy came by my house.
His face looks curiously like the moon, I saw it from the side, smiling.
My family says: "Don't ever see him again!" And they imply things in a low voice.
But my eyes have their own life; and they know whose they are.
I believe I can bear on my shoulders whatever you want to say of me.
Mira says: Without the energy that lifts mountains, how am I to live?
The colors of the Dark One have penetrated Mira's
body; all the other colors washed out.
Making love with the Dark One and eating little,
those are my pearls and my carnelians.
Meditation beads and the forehead streak,
these are my scarves and my rings.
That's enough feminine wiles for me.
My teacher taught me this.
Approve me or disapprove me: I praise
the Mountain Energy night and day.
I take the old ecstatic path.
I don't steal money, I don't hit anyone.
What will you charge me with?
I have felt the swaying of the elephant's shoulders;
and now you want me to climb
on a jackass? Try to be serious.
Where did you go, Holy One, after you left my body?
Your flame jumped to the wick, and then you
disappeared and left the lamp alone.
You put the boat into the surf, and then walked
inland, leaving the boat in an ocean of parting.
Mira says: Tell me when you will come to meet me.
When I saw the dark clouds, I wept,
O Dark One, I wept at the dark clouds.
Black clouds soared up, and took some yellow along;
rain did fall, some rain fell long.
There was water east of the house,
west of the house; fields all green.
The one I love lives past those fields;
rain has fallen on my body, on my hair,
as I wait in the open door for him.
The Energy that holds up mountains is the
energy Mirabai bows down to.
He lives century after century, and the test I set
for him he has passed.
Don’t go, don’t go. I touch your soles.
I’m sold to you.
Show me where to find the bhakti path,
show me where to go.
I would like my body to turn into a heap of
incense and sandalwood and you set a torch to it.
When I’ve fallen down to gray ashes,
smear me on your shoulders and chest.
Mira says: You who lift the mountains I have some light,
I want to mingle it with yours.
Stabat mater dolorosa
Juxta crucem lacrymosa,
Dum pendebat Filius.
There stood the Mother grieving,
Beside the cross weeping,
While on it hung her son.
Cujus animam gementem,
Contristatam et dolentem,
Pertransivit gladius
Whose saddened soul,
Sighing and suffering,
A sword pierced through.
O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti!
O how sad and how afflicted
Was that blessed Mother
Of the Only-Begotten!
Quae moerebat et dolebat,
Pia Mater, dum videbat
Nati poenas incliti.
Loving Mother, who was grieving
And suffering, while she beheld
The torments of her glorious Son.
Quis et homo qui non fleret,
Matrem Christi si videret
In tanto supplicio?
Quis non posset contristari
Christi Matrem contemplari
Dolentem cum Filio?
Who is the man who would not weep
If he should see the Mother of Christ
In such great distress?
Who could not be saddened
If he should behold the Mother of Christ
Suffering with her only Son?
Pro peccatis suae gentis
Vidit Jesum in tormentis,
Et flagellis subditum.
For the sins of his people,
She saw Jesus in torments
And subjected to stripes.
Vidit suum dulcem natum
Moriendo desolatum,
Dum emisit spiritum.
She saw her own sweet Son,
Whose dying caused his desolation,
While he yielded up his Spirit.
Eja Mater, fons amoris
Me sentire vim doloris
Fac, ut tecum lugeam.
Oh Mother, fount of love,
Make me feel the force of your grief,
So that I may mourn with you,
Fac, ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
Grant that my heart may burn
In loving Christ my God,
So that I may be pleasing to him.
Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.
Tui nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.
Holy Mother, may you do this:
Fix the stripes of the Crucified
Deeply into my heart.
Share with me the pains
Of your wounded Son
Who deigned to suffer to much for me.
Fac me tecum pie flere,
Crucifixo condolere,
Donec ego vixero.
Juxta crucem tecum stare,
Et me tibi sociare
In planctu desidero.
Make me lovingly weep with you,
To suffer with the Crucified
So long as I shall live.
To stand with you beside the cross,
And to join with you in deep lament:
This I long for and desire.
Virgo virginum praeclara,
Mihi jam non sis amara,
Fac me tecum plangere.
O Virgin all virgins excelling,
Be not inclement with me now;
Cause me to mourn with you.
Fac, ut portem Christi mortem,
Passionis fac consortem,
Et plagas recolere.
Grant that I may bear the death of Christ;
Make me a sharer in His Passion
And ever mindful of his wounds.
Fac me plagis vulnerai,
Fac me cruce inebriari,
Et cruore Filii.
Let me be wounded by His wounds,
Cause me to be inebriated by the Cross
And the Blood of your Son.
Inflammatus et accensus
Per te, Virgo, sim defensus
In die judicii.
Lest I burn in flames enkindled,
May I, through thee, O Virgin,
Be defended on Judgement Day.
Christe, cum sit hinc exire,
Da per Matrem me venire
Ad palmam victoriae.
O Christ, when from here I must depart,
Grant that, through your Mother,
I may obtain the palm of victory.
Quando corpus morietur,
Fac, ut animae donetur
Paradisi gloria. Amen.
When my body perishes,
Grant that my soul be given
the glory of Paradise. Amen.
The CCM Philharmonia, under the direction of Professor and CCM Director of Orchestral Studies Mark Gibson, is recognized as one of the world’s elite conservatory orchestras. The breadth of each season’s concert series rivals many of the world’s great performing organizations, and the Philharmonia presents a body of repertoire that encompasses more than what most conservatories venture to program. The close bond between the Cincinnati Symphony Orchestra and CCM’s orchestral program invigorates student conductors and instrumentalists alike, and CCM’s commitment to high standards enriches the cultural life of Greater Cincinnati.
CCM's Choral Studies Program is internationally recognized for more than 50 years of excellence in training conductors for successful, lifelong careers in the choral arts. Our choral ensembles are proud to offer transformative musical experiences for singers and audiences. CCM has delighted multiple generations of music lovers with the concerts presented by its five choral ensembles: the 32-voice Chamber Choir, 45-voice Chorale, 30-voice Chamber Singers, Vox Antiqua — a select vocal/instrumental ensemble dedicated to Medieval, Renaissance and early Baroque music — and 100-voice UC Men's and UC Women's Choruses. Performances range from acclaimed staged productions presented in collaboration with CCM’s Opera Department to presentations of contemporary works like David Lang’s Little Match Girl Passion and Tan Dun’s Water Passion after St. Matthew.
the flair and technique of a professional ensemble
Rafael's Music Notes
Mark Gibson, music director and conductor
Strings after principal stands are listed alphabetically
1 Principal on Farrenc
2 Principal on Harbison
3 Principal on Poulenc
Tickets for CCM's spring 2022 events are on sale now! View our full calendar of events.
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Event: November 13, 2025 1:12 PM
UC College-Conservatory of Music's 2025-26 theatre season continues with Cendrillon, playing Nov. 13-15, 2025 in Patricia Corbett Theater.
Event: October 23, 2025 1:54 PM
UC College-Conservatory of Music's 2025-26 theatre season continues with "The Lightning Thief: The Percy Jackson Musical", playing Oct. 23-25, 2025 in Patricia Corbett Theater. Tickets are on sale now through the CCM Box Office.
October 3, 2025
UC College-Conservatory of music celebrates Pulizter and Grammy Award-winning composer Jennifer Higdon during her residency at CCM on Oct. 16-18, 2025. Audiences are invited to experience the music of this contemporary classical composer in a variety of free and ticketed concerts; tickets on sale through the CCM Box Office.
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The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.